Tribune-Phonograph article on Fight Nice coming to Abbotsford, WI
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Chicago band to perform its ‘Abbotsford’ song at Corral
By Kevin O’Brien
The Chicago band that released the song “Abbotsford” earlier this year is coming back to the small town that inspired its debut song this weekend for a performance at the Corral Bar.
Sherri Leu, owner of the Corral, said she contacted the band, Fight Nice, via e-mail and was able to arrange a concert for Saturday night, starting at 8 p.m. “I hope a lot of people come out and see them,” Leu said. “Not everyone writes a song about Abbotsford.”
Tim Wanish, the band’s lead singer and songwriter, is stoked.
“It’s the coolest thing being invited to play in Abbotsford; we hope that people will come to the show and say hello,” he said in an e-mail. “We have been rehearsing extra for this show; we want to make a good impression with our music.”Wanish said they have been asked to play two sets of their original material, and he expects the show to last about an hour and a half. “It’s always fantastic when a club opens their doors for your own original songs, because we write and record our own material, which is a true passion for each of the three of us,” he wrote.
Besides Wanish on vocals and guitar, Fight Nice includes Brian Lerch on drums and Dean Dunakin on bass. From the moment the band formed in the fall of 2011, Wanish said they have been “serious about trying to write great songs and bring them to life.” “We know it can be challenging as a new band playing songs that people haven’t necessarily heard before,” he wrote. “But audiences at our shows have been really kind to us, listening to our songs and getting to know us better.”
From the Tribune-Phonograph
http://www.centralwinews.com/tribune/
Fight Nice for you and you
We had a dress rehearsal last night in preparation for our two-hour show in Abbotsford this Saturday. Everything is going well, and we’re looking forward to having a good time at a great show in a town that has been very friendly and welcoming. I hope people come out to enjoy the music, at this show and in the future, because I really think there is something special brewing with Fight Nice. Although we’re just three guys you might see anywhere on the street, we thrive on playing music, are loving, carefree, and exuberant about our craft. We’ve consumed a wealth of music in our lives and pay it back at a good exchange rate.
Every time we play, we end up with a surplus “Fight Nice” energy separate from us as individuals, that any person could tap into and make their own: at one of our shows music geeks can debate our influences, granny can tap her toes, couples can slow dance, metal-heads can bang their hair, frat boys can shout “yeah,” and anyone can bust a move, hum along, or wonder if they’ve heard that song before; hell, ignore us and some of our songs will still get stuck in your head. We selfishly love playing our music no matter what, but there is more left over than we can use for ourselves, so why not take advantage?
May newsletter
Hey all, just a couple items,
We’ll be playing our song Abbotsford up in Abbotsford, WI this Saturday! They found the song quite charming and invited us up to perform up at the Corral Bar and Grill. Tell your friends in central Wisconsin
We’ll be playing a 2-hour show of all originals, which means we wrote several new (great) songs for the occasion.
If you haven’t heard Abbotsford yet, listen to and download it for free here:
fightnice.bandcamp.com/track/abbotsford
Our next Chicago show is at the Elbo Room on Thursday, May 24, 10pm, $8. Come enjoy us at a well-run venue with great sound!
We’ll be coming out with new recordings and performances this summer, so keep up with the details and commentary at www.fightniceband.com
See you soon,
Fight Nice
Aside
One of our new songs is sooo poppy that we considered the “key change” ending. But we’d have to wear 80s mullet wigs to pull it off, and where do you get those? So it’s back to a respectful outro, and with all due respect, it will still get stuck in your head.
I can haz geetar?
I just started taking a guitar class at Old Town School. I know… I can already play bass, and can strum and play licks on the guitar, but I purposely learned those instruments on my own. You see, I spent 12+ years learning trumpet properly — reading music, technical studies, lessons, school — and ended up very skilled, but not really connected to or caring about the instrument. So I’ve always approached bass, turntable, keys, guitar, drums, etc, from a vantage of enjoyment and enrichment.
I suppose I’m at a point in my playing where I envision more enjoyment and enrichment if I have some greater foundations in technique and instrument theory. And Old Town School always seems to foster enjoyment and enrichment along with technique. I’ll never be a folky, and I prefer playing originals to covers, but I like experiencing variety, and discovering more music, and seeing how other people discover music.
Plus, there’s just something neat about being able to sit down and play a song for someone. I can never do that with my intricately programmed electronic music. So it’s nice to perform and sing in Fight Nice, and perhaps you’ll one day enjoy a tune I strum for you on guitar.
Elbo Room poster
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Melody Inn diagram
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US Beer Company poster
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“Unplugged” at The Mystic Celt: March 28, 2012
Last night Fight Nice played in Chicago at the Mystic Celt. The reason for this totally different kind of show was for a charity event put together by the One Brick organization as a benefit for the Greater Chicago Food Depository. The bill was dubbed “Live Band Happy Hour”, and we were happy to open for Mad Bread, a quality troupe of truly acoustic musicians. This was a really good experience, in all categories.
First, The Mystic Celt is a very nice place to hang out. The party was set up in the back room, which is like a comfortable bar with soft lighting and big clean sofas. I loved the room right away, it was welcoming and seemed like the sound would be good while people could drink and socialize, with our music in the air. Also, I noticed that everybody involved wanted to be there, and were happy, and cool. The other band helped us set up, and they made us feel at home. This was the setting, and all we needed was their PA system for some amplification. And they had some excellent microphones ready for us, we really did just roll in and play. (Aside from the near universal lack of local parking)
Our first song was “The Reason”, and we often start with this because it helps us get on the same page together. It’s just that kind of a song, Brian drums out a tribal march that Dean’s bass and my guitar chords follow in order to build some anticipation. We use that time to quickly check our sound levels in relation to one another, and to size up the room’s sound and how much to push or pull back. Out of all of our songs, we seem to start shows with this tune so that we can calibrate on the fly, and ease into the set. One quick glance at Dean told me that we were clear for takeoff and Brian had started us on our way. There is a pre-chorus in “The Reason” that kicks in, and that’s usually when I know how things are going to go that night. Sometimes, the venue will offer logistical challenges that we have to overcome, or just deal with. On this night, it was apparent that our volume levels were fine, and our rehearsal time would pay off- the song rolled along as planned, and I enjoy playing it with Brian and Dean very much.
This wasn’t our regular gig. Fight Nice is a rock band for sure, we play electric, and our drums are loud much of the time. We were really excited to be invited to this event for the chance to play in a nice place, and to be a part of a generous occasion. I tried to keep in mind that having fun was important there, and nobody really cared about my concerns regarding string tensions, changes in song arrangement, different soloing challenges, and stuff that came up as we tried to translate our electric rock show into a stripped-down acoustic musical evening. I know that my bandmates were also making calculations as we played, working out the little obstacles that come with doing an “unplugged” performance. I was really impressed with Dean and Brian, two guys who know their equipment and like to be on top of the situation. They had to play instruments and in a style that was outside of their usual comfort zone, and they did so with aplomb and a cheery confidence. That helped me to enjoy playing our songs in this skeletal mode that exposes the tunes for what they really are- no way to hide behind the electric sound. I couldn’t help but think back to how the show MTV Unplugged really brought out this acoustic artform, bands would show their true colors with acoustic instrumentation and it was almost always fascinating to see their other sides as artists.
As Dean said to me afterwards, it was nice to be part of a show where everybody that was there wanted to be there, and they were cool people doing something meaningful as an audience. It was great to play for them. I’m sure they didn’t know how much I was worrying about every note, and how really different it was for us to play in this way. I mean, Brian had to barely press his bass drum pedal so as not to blow away the room. It’s hard for a drummer to play super quietly, and Brian still laid down a groove for us to work with despite the limitations. And Dean had to play his bass parts in a style that was careful to avoid the strange scraping sounds this acoustic bass guitar can generate. We all had to adjust for the intimacy, and I still enjoyed the noise we made together.
The crowd was very nice, and what can they be thinking? they have never heard any of these songs before. We just seem to be accustomed to that look on people’s faces, as they work out where exactly to file us in their minds. I’m just grateful for the chance to play our songs for them at all. Some of our decidedly electrified rock songs took on a new life as acoustic numbers, and it’s been great to be challenged to rework our material in this way. That’s what taking this gig was all about, forcing us to try something new, and to develop new skills. We all wanted to add some new abilities to our band as musicians, and we took this as a challenge to learn our songs again as acoustic pieces, it really is a dramatic adjustment. I felt very happy that we have songs that can work in this medium as well. It has always been important to me that our songs have enough melodic substance to be able to stand up when they are reduced to their elemental state. In our practice sessions, we have grown a lot because of having to prepare for this show- and we have had to play in a new way that might help us improve. I’m super grateful to be part of a band that is willing to do things that might be new, or difficult. We just want to get better, and this show meant a lot to us. It seemed that we played a little bit better than even our prior practice session, and that’s a big step forward for us. I’m not sure exactly how every little thing sounded for the patrons of the event, but it was as pleasant as sitting by a campfire with friends and some drinks playing music together. I hope that it was enjoyable for the folks there.
So we played through nine songs, and ended with “Abbotsford”. It felt good to close out on an upbeat rave-up. I even heard Brian give the crash cymbal a good hit in his enthusiasm. I guess he had been holding back all night, the time was right for a resounding accent. I will always remember this show because of the things that went into it, and for the purely positive vibes in the air the whole way. I remember laughing and sharing smiles with Dean and Brian-and being proud of what we were doing. Thanks for having us.
Fight Nice on 93XRT Local Anesthetic
Aside
Looks like 93XRT played Abbotsford on their Local Anesthetic show this past Sunday. It’s very exciting to have our song on the radio. Thank you to Richard Milne of XRT, who hosts the program. You can listen online here http://wxrt.radio.com/2012/03/18/playlist-local-anesthetic-3182012/


